![]() ![]() Of the production, coupled with the painted faces of the actors, felt a little However, theseĭid feel a bit abrupt, particularly in the shorter scenes. Unconventional style of the piece and unpredictable characters. The rather sharp scene changes are perhaps designed to echo the Rachel Dawson and David Ahmed, in addition to theirĪcting roles, used the cello and accordion respectively to create a dismal and The set is slickly manipulated, with gloomy lighting intensifying the Gwendoline and her admirer, Thomas, goad and taunt him. We peer throughĮrnest’s skewed perspective as imagined versions of conversations between Parts, such as scenes retold from a different viewpoint. It was stylised and sinister and there were some brilliantly imaginative Role as Gwendoline, depicting the strangeness of her character’s wide-eyed Spargo conveys Ernest’s deterioration into madness powerfully he’s wretched,Ĭonvulsing and thoroughly believable. The four cast members slips convincingly into different characters theĬombined effect of their voices portrays Ernest at his more desperate moments.īy a narrow margin, the most memorable of the four is Anthony Spargo as Ernest. Here, as in their previous Fringe production The Trench, LesĮnfants Terribles practise ensemble theatre to the point of perfection. It was stylised and sinister and there were some brilliantly imaginative parts. Guilt, triggered by the death of his lovely neighbour Gwendoline at his own Step out of the daylight into the darkness of Pleasance One to observe Ernest’s Moon, a chilling account of a man’s downward journey to insanity. With slick ensemble work and sinisterly twinkling live music, LesĮnfants Terribles are back at the Fringe once more with Ernest and the Pale How To Sell Your Show At The Edinburgh Fringe. ![]()
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